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See art in a fresh
way. |
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Mini-Tutorial:
Integration, Part1: Light |
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Integration is, perhaps, the
most complex problem in art. Often it is the cause of an
artist's agony and ecstasy.
In this series on integration
each tutorial will focus on one problem and show how the
solution fits into the whole.
The theme of Counterpose
is about a harmony of contrast. At that time in my life it
reflected my quest to pull together many different aspects of
art and life and to balance them.
I have removed the color
from this image so that we can focus on the tonal values of the
light. |

Counterpose, 1990, oil on linen, 36x42"
(Black/white photo)
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Notice the dramatic difference
between the highlights on her face and fingers and the dark
casted shadows. I am purposefully using light and shadow
to support the painting's theme of contrast.
In the orange circle you
can see the high contrast of the fabric of the folds.
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Almost every part of her body
has an element of contrast between the light and shadow. You
will notice that the highest contrasts are in the foreground and
as parts of her body recede away from us the contrast
diminishes. This also allows for her body to be integrated in
space, which, of course, is another tutorial.
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As a foil to Counterpose,
the theme of Denouement is about the radiance of
love. It has a much softer, diffused light which radiates out
from the lamp on the floor.
Though these b/w photos are of
the finished paintings in color, I did paint a monochromatic
under-painting for both of them. The advantage of monochromatic
under-painting is that it is easier to organize all the tonal
values and details without the added worry of the hue (color
values) of things.
If you are a painter
struggling with a mess that isn't coming together, take the
color out and it will immediate help pull the work
together. From that point, go back into color, carefully
matching the color with your monochromatic tonal values. |

Denouement, 1987, oil
on linen
(Black/white photo)
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Here is a side by side
comparison of Counterpose in color and without.
The next tutorial on
integration will be about the high contrast of color in
Counterpose.
Michael
Newberry
New York, July 28th, 2006 |
 
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The original
Counterpose and Giclee reproductions of Counterpose and
Denouement are
available.
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